Showing posts with label Oil Lamps. Show all posts
Showing posts with label Oil Lamps. Show all posts

Sunday, February 01, 2015

Auction

I went to an auction yesterday. The star attraction for me was a stunning French Comtoise longcase clock. I was really hoping I'd be able to take it home. Sadly, I was outbid on it, but I still wanted to share some of the auction items, and my two purchases.

First off, the star of the show, and the only reason that I dragged myself out of bed at 7am on a Saturday, the longcase. This is a French longcase clock along with its original grain-painted case. The clock dates from around 1860-1870, and it was in fairly decent condition.







The case on it was pretty warped, very flimsy, and thin, but I've been told that they are all made this way. It's sort of like a fragile house of cards holding up a 30Lb movement. The grain painting and surface decorations were absolutely wonderful, and in excellent shape. The dial and pendulum were also beautifully painted (in the original paint) and in great shape. These are just thin stamped brass, and they get damaged very easily.

Some of the problems with the clock, however, were not going to be easy fixes. One of the major problems was that the original hinges of the trunk door were broken away. This means that there are chunks of wood missing from the door, and that some of the original hardware is now missing. The way these hinges work was basically just an eye bolt, with "L" shaped bent wires sticking out of the case body. These are very simple hinges, and you can just lift-off the doors if you need to.

Other small issues were that some of the boards on it were severely warped, like the left upper panel shown above. There was also a deep crack through the right side of the case which would have been impossible to repair. The clock also has no key, which is usually a very large crank. You can buy new ones, but old original keys are always much better.

I was willing to pay quite a bit for this clock, but nothing crazy. I had told myself 600$ max, but when it came up for sale, I bid up to 650$, and lost to a bidder who got it for 700$. I was pretty bummed out after that.

The last detail I'll mention about the clock before I move on, is that it was much taller in person than I had expected. I'm 6' tall, and I think the dial bottom was at about my height. The clock was probably a little over 7 feet tall.

At the auction there was also another longcase clock, an Art Deco style German one probably from around 1900-1930.



I wasn't really interested in this one, because I'm not a super big fan of Art Deco, and I don't think I'd like having this huge piece of furniture that I didn't absolutely love. It sold pretty cheap at 130$ to an antiques reseller (I spoke to him later on). It wasn't until after the auction was over that I truly realized how terrible the condition of this clock was. The man who bought it was trying to move it onto a dolly, and the entire top part of it was loose and broken from the rest. You could see screws into the wood that had been added (and that weren't holding it together anymore). I also noticed that the top door hinge had broken right through the wood side of the door and it had been very poorly reglued, and there was also a break in the wood case behind the hood door. On top of all this, I also saw that the two lock plates on the case looked like they were missing, so even though the locks and key were still there, you couldn't keep the doors shut. It also had just general problems visible from the start, like the chipped upper crown, and loose mouldings everywhere. Besides all this, the veneer on this clock was ABSOLUTELY gorgeous. I'm not even sure if it was burled walnut, or some other burled wood, but it was some of the nicest cuts I've seen on any similar clock (which is saying a lot). Even the sides were just as nice as the front (a lot of clocks and veneered furniture use cheaper or plainer veneers on the sides).

There were several other mantle clocks at the sale, but only two were worth photographing. This first one was a mint condition Seth Thomas "Black Mantle Clock". I don't know what model it was, but it had a Seth Thomas label on the back, and the plates were stamped ST, so it was all original. A lot of these clocks have been heavily refinished, so it's always nice to see original ones like this in good shape. I bid on it, but I wasn't willing to go over 100$ on it. Some are selling for much, much less on eBay these days. I think it sold for 120$ or 130$.



Another Art Deco piece. This one was a Perivale Westminster chime clock, from the UK. I'm told that it's not the best brand to look for if you want a Westminster clock. I think it sold for 75$. IT was in very good shape, and it ran, because it started up during the auction and kept ringing during the day. So did the Seth Thomas, actually.



Some of the furniture went for absolutely nothing. A lot of items went for very low prices, while others went for way too much. This gorgeous Victorian settee went for only 50$.



This painted cupboard was one of the few items that actually went for a semi-decent price. The auctioneer started at 1200$, but it ended up selling for only 500$ and no one else bidding. It was a really beautiful piece. From the photo I had thought it might be a fake, but I opened it up to look at it, and it was the real thing.



This was another item that almost had me in tears for what it brought. A gorgeous pine bonnet chest, roughly 1850s, old crackle paint, but rotted/broken front feet (not hard to replace). Dovetailed drawers. Gorgeous piece of furniture. 50$. If I'd have had a truck, or a place to put it, I'd have bought it.



This piece was interesting. There was a bunch of stuff on it, so I couldn't open it to look inside, but it looked a lot like a VERY old Quebec blanket chest. Some of these are as old as the 1700s, but again, it's hard to say for sure. I think it had missing mouldings around the top. It sold for 75$.



The last piece that almost had me crying was this MASSIVE bookcase unit.



According to the auctioneer, one of the people there said they knew where this cabinet came from. Somewhere local and it was either a built-in or from a store display. In either case, the piece was probably close to 10 feet wide, and it had been propped up on an odd looking base. I would have taken that off, and put 6 bun feet under it as a low bookcase cabinet. All it needed was a few new pieces of glass. It sold for only 150$. Just for comparison, it would probably cost 200-400$ just to build a copy of ONE of those doors.

So finally we come to my purchases. I was so bummed that I hadn't managed to buy the clock or anything else (and I wasted the entire day there: 9am-4pm) that when the auction was close to wrapping up, they asked the rest of us if there were any specific items they wanted us to bring up. I had been waiting for 2 specific oil lamps, so I got one of the guys to bring them out.

The first one, and the one I wanted the most, as a black marble 1860s coal oil lamp with a wheel cut font. I had one other bidder against me but I got it for 45$ (less than what I've paid for some of my other lamps).



The other one was this early 1850s flint glass "bulb" or ringed/beehive lamp.



I got it for 30$. Note that the burner and chimney that are on it are NOT original. They are much too "top heavy" for the lamp, since the lamp was meant for whale oil.

Both lamps were FILTHY, especially the black marble one. It still had coal oil in it (which smells like roofing tar), and I think it has never been cleaned. The patina on the brass is some of the heaviest I've ever seen (which is nice - and very difficult to fake, btw). All of the engraving was also deeply embedded with grime.





Both lamps after cleaning, and the short lamp with the correct burner.



I spent about half an hour cleaning this lamp. I did not polish any of the brass on it (because it looks amazing like this), but I did wash it. I actually took the entire lamp apart to clean it. The entire bottom is held together with a bolt in the marble base. I scrubbed all the nooks and crannies in the engravings with Comet and an old toothbrush. The inside was also a bit of a challenge to clean. I had to use the toothbrush, a paintbrush, and my fingers to reach all the spots, but now it's spotlessly clean.



The engravings show up especially well when it's backlit.



The last thing I want to mention, is that the incorrect burner and chimney from the bulb lamp were a perfect fit for my white marble lamp that was missing these parts. I had been looking on eBay for a burner and chimney, but it would have cost a lot more than the 30$ I paid for the bulb lamp, so really, it was almost free.

Sunday, July 06, 2014

Insert Whitty Title Here

I don't know how people on other blogs manage to come up with all sorts of witty and interesting titles for their posts. I suck at it, and usually don't even try, but I didn't want to call this "Another Boring Update".

As promised, here are the two completed antique grates. One is original to the house (the one in the green living room), and the other identical one was installed to replace the large and poorly located floor grate next to the front door.

If you missed it, and wanted to see how I did that, go see these posts (in this order):
http://my1923foursquare.blogspot.ca/2013/01/secret-project-revealed.html
http://my1923foursquare.blogspot.ca/2013/01/office-floor-new-look-for-2013.html

As I mentioned a few posts ago, I had one missing thumb latch from my original grate, so I had a new copy cast in brass. I had paid 50$ for the second (and complete) grate, and unfortunately, it cost 45$ just for the casting. I could have just bought an entire new grate for an extra 5$, but I would have needed to travel out of town to go get it, and I hadn't gotten a quote for the casting, so I didn't think it was going to be that much.



Here's the final product. Grate closed:



Grate open:



Office grate:



In other news, I decided to spend last night with some lovely antique lighting. I used my two whale oil lamps, paired with old mirrors to double the light.



This prompted me to look for my other whale oil lamp AGAIN. I had another nice clear lamp that I've had packed away, and I couldn't find it. I looked for it on 3 or 4 occasions over the past month or so, and I finally found it this afternoon.

I wasn't happy with how I found it though...



Broken in half.



I actually discovered that the lamp was already broken here, and previously repaired. There was a thin layer of clear adhesive, and I spent about 30 minutes scraping it off and cleaning the joint. I plan to re-repair the lamp with Hxtal, which is a specialty glass adhesive used by museums. It's very expensive, but it's supposed to make an incredibly strong repair, and be crystal clear. I've been meaning to buy some to repair a broken clock glass (hand painted) from the 1840s, so this is another excuse for me to buy some.

This fine lamp also has a completely ruined original pewter collar, which I will need to replace, along with a burner. Unfortunately it's not a standard size, which will make my restoration job incredibly difficult. The lamp is from the 1830s or 40s.

Friday, May 02, 2014

Whale Oil Lamps

It's no secret that I love antiques. I tend to buy mainly small furniture, tools, and clocks (too many to count), but I also really love antique lamps.

I have quite a few oil lamps, some found at yard sales and thrift stores, while others were bought online.

My favourites are whale oil lamps.

If you're not familiar with these, they were one of the first "fancy" oil lamps created for home illumination. Before they came along, indoor lighting was done mainly with candles, a fireplace, and betty lamps (lard/fat lamps). The latter being crudely fashioned from sheet metal or cast iron.

I should stress that at the time when they came along (1820s to the early 1840s) kerosene lamps had not been invented yet.

The original fuel for these new lamps was refined oil from the sperm whale. The oil was very expensive to buy, but produced a beautiful and brilliant light. One whale oil lamp produced twice as much light as a regular candle, and the lamps were also a bit of a status symbol.

The majority of these lamps are made from leaded glass or flint glass (aka crystal), which gives a bit of a greyish quality to the glass. The lead content makes them more brilliant and also easier to cut and polish. They are also more fragile, and the bases are very prone to chipping (both my lamps shown below have chipped bases). It is not uncommon to find lamps that have been ground-down and re-polished on the base, or that have had chips repaired.

Some early examples have hand blown fonts (often in the shape of a light bulb) while others have cut and polished fonts, or feature acid etched decorations, usually paired with a cast (fancy) base connected with glass "wafers" in the centre. The presence of wafers in the centre is usually a good indicator of an original lamp since reproductions are usually cast from moulds and will not be made in 2 pieces.

These are a few examples of some beautiful (and pricey) examples:



Note the slightly uneven wafers in between the hand blown tops and cast bases:



It is extremely common to find whale oil lamps with later "fluid lamp" burners. These burners have longer tapered pipes and are meant to burn a volatile (and potentially explosive) mixture of turpentine and alcohol known as "burning fluid". Burning fluid was a cheaper alternative to whale oil, but it was critical to use the correct burners. Whale oil burners have short and stubby tubes that descend deep into the font (to help draw down the heat and soften the whale oil). Burning fluid, when used with whale oil burners, often caused catastrophic explosions, since the correct burners operate with the pipes extended far away from the highly flammable fuel.

Fluid burners usually also have cute little caps and chains to keep the fluid from evaporating when the lamp is not in use.



Perfect examples with no chips or breaks can cost a small fortune (several hundred dollars), with matched pairs fetching more than individual lamps, but there are still bargains out there. I was very lucky to snatch this matched pair for a very low price since they were missing the original burners, and had chipped bases (which I don't mind).

Here are my matched pair of lamps. You will note that my lamps have the same cast base as the example above. Aside from this original pair from the early 1800s, I also have 2 reproduction whale oil lamps, and one other original one (missing the burner - which is an odd size).





I shot a small video for YouTube this evening showing the use/operation/lighting of whale oil lamps, since the web seems to have a very limited resource showcasing these wonderful lamps. Enjoy!

Saturday, May 04, 2013

Astral Lamps

I was actually up early this morning, so that I could walk to a few nearby yard sales (first ones of the year for me!) I only went to 4, but I didn't walk away empty handed.

I actually found these little gems at an unlikely yard sale. I know this guy as "the DVD guy". He's an older guy who goes to yard sales and then re-sells items at his own yard sale. He mainly has a large selection of DVDs, and also antiques (mainly knick-knacks and dishes), but I found the lamps there.

These are older reproduction "Astral" style lamps. I'd guess that they're from the 1930s or 1940s. Around that time there was a revival of older styled items (like electrified versions of whale oil lamps as another example).

They caught my eye because of the cut glass shades, and the pierced brass rim (which would hold drop crystals/prisms). I really love early lighting (oil lamps, whale oil lamps, candle sticks, etc) so I got the pair for 14$.



The bases are marble, and they are fitted with a small turn switch. What's also fun about these, is that they have antique cloth cords and button plugs, but these almost look new (or perhaps the lamps weren't used for most of their lives).



They're in excellent shape. The shades have no chips or cracks. The only drawback is that the prisms are missing, and I know they're still available new as replacements, but unfortunately they're around 5-60$ each and I need 16 of them. I'll keep my eyes out for some used ones, but I may leave them as-is.

I will probably use these on my night stands.

These lamps are made to resemble early oil lamps from the early 1800s, like the ones below.





This is a similar style, but different type of lamp, known as an Argand Lamp. These are usually used in pairs, and some versions have 2 arms (T shape). Argand Lamps date as far back as 1780.

Tuesday, June 19, 2012

Banquet Lamp

My father, over the weekend, gifted me his antique banquet lamp. He's had it for as long as I can remember, and it used to be in the bedroom. It's a rather large and ornate lamp, and the base is made of "Brittania" metal (aka pot metal, white metal, etc) painted to look like brass or gold. It has the original shade and chimney, but it has unfortunately been electrified in a destructive way (meaning it can't really be switched back to oil burning since they drilled a hole in the oil reservoir).

The only other flaw is a chip on the shade at the top.

I'm not sure where I'm going to put it yet, but it will probably end up on an antique dresser in the guest bedroom, or possibly in the living room.





The floral design is hand painted. The main design is large, but there's a small single flower centered on the back as well.